Steve Jennings – Feb 1954 to Nov 2019 – a tribute

With contributions from Steve’s wife Josie, and his friends – Tom Hunter, Steve Jones, Rowena Millar, Johnny Mars, ‘Pip’ Rowland, and Paul Gillings.

Harmonica World

Stephen John Jennings or ‘Steve’ as he was universally known was one of the small group of volunteers who are responsible for the survival and success of the National Harmonica League (NHL) as we know it.

He joined the NHL in 1986, a few years after it separated from Hohner in 1981. Steve first started writing blues harp reviews for Harmonica World early in 1987 and by December that year he was editing the magazine, which he did until 1995. He was back on the committee as treasurer from 1998 to 2003 before stepping down to qualify as a Reader in his local Anglican church.

He attended NHL festivals in Bristol, with his wife Josie, as long as his deteriorating health would allow. He would talk long into the night, sitting on a stool in the hotel lounge.

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Steve was born in London and attended Whitgift School in Croydon where he developed the sense of civic responsibility which he maintained all his life. In his early 20s, he enrolled at Rose Bruford College in London and gained a BA in Theatre Arts.

Steve, Josie and David
Steve, Josie and David

Steve was a musical child and played organ in church but blues harp became his chosen instrument in his twenties. London had lots of harp driven bands at that time and Steve was a regular at pub gigs by Shakey Vic, Johnny Mars and Lee Brilleaux of Dr. Feelgood. He was a fast learner and gained valuable experience playing with them and other harp players like Steve Baker, Paul Rowan and Alan Glen.

By now Steve was married with a son and working as a systems analyst. He had joined the NHL and wanted to share his enthusiasm and knowledge. Becoming editor in 1987 gave him a great opportunity to do this and he transformed the magazine. Living in London gave him great access to visiting players and he interviewed many of them.

In autumn1991 he took a new job with Travis Perkins near Northampton and moved with his family to Rothersthorpe. Harmonica players were always welcome there. He remained as editor until 1995.

Steve learned chromatic and performed in a duo with his wife, Josie, who played a vineta (small chord). Over the years he regularly acted as a competition judge and organiser.

Following the retirement of Hohner’s harmonica technician, Willi Dannecker, Steve taught himself to maintain and repair harmonicas and carried out work for many top players, including Les Henry (Cedric) from The Three Monarchs. Steve also made and sold custom harmonica cases.

Sharp Dressed Man

In the early1990s Steve helped to teach blues to the Harp Start Children’s program in Great Yarmouth and developed the Blue Saturday events with Norman Ives and David Priestley, which enabled many players to improve their knowledge and performance of blues music. The workshops usually ended with a jam session with Steve’s blues band, Straight Eight, with guitarist Eric Sweetland (Tom Hunter) or Double or Quits with Dave Arrowsmith on guitar. When he performed, Steve was always smartly and snappily dressed and, unusually for a musician, punctual to a tee.

In addition to the Blue Saturday event, Steve produced a series of Blues Harp Breakdown cassette tapes under the name “Sonny Jay” each of which was dedicated to teaching a well-known instrumental like “Easy” by Walter Horton. He also produced some cassettes of backing and play-along tracks.

In 1991 he wrote a book with his friend Ken Howell for advanced players of the chromatic and blues harp called The Practical Harmonica Player. Its objective was to increase fluency in all keys.

He wrote a couple of books of Blues and R&B music arranged for harmonica which were published by Wise Publications (Music Sales) as well as a tuition book for beginners. The demands for a TAB version of the sheet music in books led Steve and Pat Missin to develop and publish SuperTAB. It is an attempt to bring some order to the way TAB is being constantly being reinvented by everyone. You can find more about SuperTAB here.

http://www.harmonica.co.uk/supertab.htm

In the 1990s Steve was part of an attempt to develop a process to assess the ability of harmonica teachers – HTAB (Harmonica Teacher Accreditation Board). Unfortunately the project was never completed.

Steve was very interested in the chord harmonica family of instruments and about 10 years ago he wrote a detailed article about the history and development of the many types of chord instruments, which was published in the April/May and Oct/Nov 2012 issues of Harmonica World.

Even as his health was failing, Steve continued to play as a duo, The Junkyard Crew, with Bob Coombs on guitar.

Steve had lots of experience and memories of the history of the harmonica. At the time of his death I was digitising his favourite VHS tape of the NHL festival concert in Shirley, Birmingham, in 1988.

Steve the Reader

One of the last things Steve did was to apply to Sarum College, Salisbury, to study for an MA in Christian Liturgy. It has just been awarded to him, posthumously. Steve got the funeral he wanted. In addition to the church hymns and plainsong, the service included Hoochie Coocjie Man by Muddy Waters, Down at the Doctors by Dr Feelgood and Free as a Bird by John Lennon.

Steve got the funeral he wanted. In addition to the church hymns and plainsong, the service included Hoochie Coochie Man by Muddy Waters, Down at the Doctors by Dr Feelgood and Free as a Bird by John Lennon.

When God made Steve he threw away the mould. He was an educated and determined man with an impish sense of humour who gave strength and support to the NHL for over 30 years, for which we are very grateful. I will miss his enthusiasm and support.

Harmonica Music sur Cher 2017

Harmonicas sur Cher is my favourite festival. Great location, great organisation, great music and great local support from the people of Saint Aignan. For three days, harmonicas can be heard on the streets, in the cafes, the church and the Salle des fete.

Saint Aignan is a small old town with narrow cobbled streets in the wine valley of the river Cher, near where it joins the Loire at Tours in Central France.

There are some small daytime events but the core of the festival is the three evening concerts in the Salle des fêtes. Each concert features two artists/bands and this blog features music from all of them. As usual at this festival, the range of music and harmonica styles is very wide. You can look for something that you like or, maybe, sit back and listen to some of the places the harmonica can take you. You might be surprised!

Thursday (Jeudi) 25 May. The concert was opened by the Zanella Trio who play acoustic jazz and world music featuring Jérôme Peyrelevade : diatonic harmonica, Gilles Zanella : guitar, and Cyril Cianciolo : bass. Jérôme’s latest CD is called Somewhere on the Edge of Timewww.jeromepeyrelevade.com. The track which is featured is Nadia’s Nights.

The concert was closed by Cory Seznec, a band playing a mix of blues, country and African music. Cory plays guitar and banjo and David Chalumeau is the featured harmonica player. Their latest CD is called Backroad Carnival www.coryseznec.com. The track which is featured is Sell You My Soul.

Friday (Vendredi) 26 May. The concert was opened by French Canadian harmonica player and storyteller, Gérald Laroche, who presented sound images to illustrate his stories. He used harmonicas, Celtic flute, Indian mouth bow, Jews Harp and percussion instruments to create a unique fusion of sound and speech. His latest CD is called Rubato: Stealing Timewww.geraldlaroche.com. The track which is featured is Last one to leave.

The concert was closed by jazz chromatic player, Will Galison, who performed a musical fantasy based on Homer’s story of Odysseus. He was accompanied by a jazz trio with the composer, Karim Maurice on piano and a small string section, la Cameratawww.willgalison.net. The track which is featured is Circe. The website for Karim Maurice’s Odysseus project is www.karimmaurice.com/enw-galison-k-maurice-la.

Saturday (Samedi) 27 May. The concert was opened by new group, Liouane, led by chromatic player, Thomas Laurent. The music included traditional compositions and music influenced by Eastern Mediterranean and Balkan music played on oud, clarinet, percussion, harmonica and double bass. Their latest CD is Liouanewww.coursharmonica.com. The track which is featured is From Bethlehem to Angers.

The concert and the festival was closed by Mountain Men, featuring Barefoot Iano on blues harmonica. They played their own mix of rock and roll and blues (with a touch of Madness) which had grandparents, parents and children dancing in the isles as the evening drew to a close. Their latest CD is Black Market Flowerswww.mountain-men.fr. The track which is featured is Still in the Race.

That was the end for 2017 but Christophe Minier will be back with another Harmonicas sur Cher festival in 2019.

If you want to see what the town and the festival looks like, here is a video I made at the festival in 2011. www.youtube.com/watch?v=GrWYRd8qI8Q


1 – Jérôme Peyrelevade – Nadia’s Nights – 00:00
2 – Cory Seznec – Sell You My Soul – 03:26
3 – Gérald Laroche – Last one to leave – 08:17
4 – Will Galison – Circe – 11:51
5 – Liouane – From Bethlehem to Angers – 19:03
6 – Mountain Men – Still in the Race – 24:20

Popular Harmonica Recordings after 1962 – a personal choice

An earlier programme on this site, Cyril Davies – From Trad Jazz to the Rolling Stones, described the start of the UK blues boom in 1962. This is a celebration of the popular harmonica recordings which followed in Europe and America with examples drawn from R&B, Rock, Popular Music, Film Music, Rap and Beatboxing. We had to leave out many great recordings. Maybe we need to select Vol 2.

It includes three tracks from the UK R&B scene by The Beatles, The Rolling Stones and Manfred Mann. A couple of on rack-harp from Bob Dylan and Neil Young. The Doors track features a guest appearance by John Sebastian. Canned Heat was founded by blues historians and record collectors, Al “Blind Owl” Wilson and Bob “The Bear” Hite – Al played the harp. Mr Bloe was originally a Bubblegum B-side from New Your but a group of UK session musicians recorded this 1970 hit. Magic Dick soloed on Whammer Jammer. Stone Fox Chase is the theme for the BBC TV programme, Old Grey Whistle Test and it became a ‘right of passage’ for UK harp players. Stevie Wonder has a style of his own. It took a long time to find the right harmonica break for Runaway. Norton Buffalo eventually developed this version using four harmonicas to cover the chord changes. John Popper shows off his technique and musicality on But any Way. Ray Jackson is the harp player with Lindisfarne. Motorhead lead singer, Lemmy put together this acoustic version of Ace of Spades, which was featured in a TV advert. The Leo Diamond and Larry Adler’s recordings of film themes are from the 1950s, but they add a little more chromatic into the collection. Toots plays like only Toots can. US Rapper, Pitbull, uses a Lee Oskar riff from San Francisco Bay, played by Paul Harrington, in the Country tinged Timber. Son of Dave’s San Francisco was used as the theme for the BBC Radio series Tales of the City.

Track listing

1 – The Beatles – Love, Love Me Do – 00:17
2 – The Rolling Stones – Not Fade Away – 02:34
3 – Manfred Mann – 54321 – 04:21
4 – Bob Dylan – A Man of Constant Sorrow – 06:29
5 – Steve Stills Band and Neil Young – Long May You Run – 09:29
6 – The Doors – Roadhouse Blues – 13:31
7 – Canned Heat – On the Road Again – 17:37
8 – Harry Pitch – Groovin’ With Mr Bloe – 22:41
9 – J Geils Band – Whammer Jammer – 25:16
10 – Area Code 615 – Stone Fox Chase – 27:55
11 – Stevie Wonder – For Once in My Life – 31:29
12 – Bonnie Raitt – Runaway – 34:16
13 – John Popper – But Any Way – 38:18
14 – Lindisfarne – Meet me on the corner – 41:35
15 – Motorhead (Lemmy) – Ace of Spades – 44:11
16 – Leo Diamond – Sadie Thompson’s Song – 47:47
17 – Larry Adler – Le Rififi – 50:33
18 – Toots Thielemans Quartet – Theme from Midnight Cowboy – 53:50
19 – Pitbull – Timber – 58:34
20 – Son of Dave – San Francisco – 62:01

Introduction to Blues on the Chromatic Harmonica by David Barrett

Here are some great examples of blues music played on the Chromatic Harmonica. They were put together by top educator and performer, David Barrett, who introduces each track, identifying the artist and indicating how it was played.

This playlist is taken from the third part of David’s series of articles about playing Blues Chromatic published in the NHL magazine, Harmonica World. David Barrett – www.bluesharmonica.com.

If you like what you hear, please press the “like” button and “share” it with your friends.

Over to you, David…

Introduction to Blues on the Chromatic Harmonica by David Barrett by The Archivist on Mixcloud

Track listing
1 – George “Harmonica” Smith – Blues in the Dark – 0:00
2 – George “Harmonica” Smith – Blues For Reverend King – 04:41
3 – George “Harmonica” Smith – Boogie’n with George – 09:45
4 – Little Walter – Fast Large One – 12:07
5 – Little Walter – Lights Out – 15:25
6 – Little Walter – Flying Saucer – 18:11
7 – William Clarke – Blowin’ Like Hell – 21:25
8 – Rod Piazza – Harpburn – 24:18
9 – Rick Estrin – Coastin’ Hank – 28:03
10 – Mark Hummel – Humble Bug – 34:38
11 – Paul deLay – Good Thing – 39:47
12 – Dennis Gruenling – Bluesmith – 44:45
13 – Mitch Kashmar – Crazy Mixed Up World – 55:00
14 – Gary Primich – The Briar Patch – 58:38
15 – Paul Oscher – Walkin’ – 63:10
16 – Steve Guyger – We’re Gonna Ride – 65:31
17 – Lynwood Slim – Oil Can Harry – 68:50
18 – Kim Wilson – Reel Eleven, Take One – 71:58
19 – Jean “Toots” Thielemans – Fundamental Frequency – 74:48
20 – Dave Barrett – Dark Night – 80:05

Discography
1) Blues in the Dark – (Blues Masters The Essential Collection, V4 Harmonica Classics, Rhino
2) Blues For Reverend King -(West Coast Down Home Harmonica, El Segundo
3) Boogie’n with George – (Now You Can Talk About Me, Blind Pig
4) Fast Large One – (The Essential Little Walter [Disc 1], Chess), C Chro in 3rd (D)
5) Lights Out -(Confessin’ the Blues, Chess)
6) Flying Saucer – (Blues With A Feelin’, Chess)
7) Blowin’ Like Hell – William Clarke (Blowin’ Like Hell, Alligator)
8) Harpburn – Rod Piazza (Harp Burn, Black Top)
9) Coastin’ Hank – Rick Estrin (That’s Big, Alligator)
10) Humble Bug – Mark Hummel (Harmonica Party, Mountain Top)
11) Good Thing – Paul deLay (The Last Of The Best, Criminal Records)
12) Bluesmith – Dennis Gruenling (History Of The Blues Harmonica Concert, Backbender)
13) Crazy Mixed Up World – Mitch Kashmar (Crazy Mixed Up World, Thumbs Up!!)
14) The Briar Patch – Gary Primich (Company Man, Black Top)
15) Walkin’ – Paul Oscher (Alone With The Blues, Electro-Fi)
16) We’re Gonna Ride – Steve Guyger (Past Life Blues, Severn)
17) Oil Can Harry – Lynwood Slim (Too Small To Dance, Big Rhythm Combo, Pacific Blues)
18) Reel Eleven, Take One – Kim Wilson (Tigerman, Antone’s)
19) Frequency by Jean “Toots” Thielemans (Legends Of Harmonica, Rhino
20) Dark Night -0 David Barret (It Takes Three)

Harmonica Christmas Stocking Fillers

This extra Collection is made up of contributions sent in by artists like Will Galison, Madcat Ruth, Mike Caldwell, A J Fedor… and recordings that did not quite make it into the earlier Collections. As the title suggests, it covers many styles and even a bit of tremolo. It should have a few surprises just like a Christmas stocking for a harmonica lover. Stay with it to the end – variety is the spice of life.

Here are links to the other four Collections of Christmas music:
Harmonica Groups
Chromatic Soloists
Jazzy Arrangements
Christmas Blues

1 – Madcat Ruth – Christmas Music – 00:00
2 – Will Galison – The Christmas Song – 01:01
2 – Tollak Ollestad – Christmas Time is Here – 04:30
3 – Uwe Warschkow – Stille Nacht – 08:14
4 – Mike Caldwell – We Three Kings – 10:57
5 – Carlos del Junco – Jingle Bells – 14:12
7 – Sigmund Groven – Gloria – 15:58
8 – Mike Caldwell – We Wish You a Merry Christmas – 19:07
9 – Bruce Kurnow – Silent Night – 21:36
9 – A J Fedor – Have Yourself a Merry, Merry Christmas – 25:30
10 – Mike Caldwell – Joy to The World – 29:15
11 – Rob Paparozzi – Up on the Rooftop – 31:56
12 – Will Galison – Ave Maria – 34:31
13 – Gemini – Jingle Bells – 38:31

Blues Harps at Christmas

Blues harmonica players and their bands performing songs about Christmas. Carey Bell, Paul Oscher, Paul Butterfield, Sonny Boy Williamson II, Little Charlie and the Nightcats, G Love, Sonny Boy Williamson, Canned Heat, Richard Sleigh, Eddie C Campbell, Mark Doyle and the Maniacs.

Track listing for Blues Harp at Christmas.

1 – Carey Bell – Christmas Train -0 0:00
2 – Paul Oscher – Christmas Blues – 03:35
3 – Paul Butterfield – Merry Christmas Baby – 07:58
4 – Sonny Boy Williamson II – Christmas Blues – 10:51
5 – Little Charlie – Christmas Time Again – 13:26
6 – G Love – Christmas Blues#2 – 16:39
7 – Sonny Boy Williamson – Christmas Morning Blues – 21:55
8 – Canned Heat – Christmas Blues – 25:18
9 – Richard Sleigh – Jingle Bells – 27:53
10 – Eddie C Campbell – Santa’s Messin’ With The Kid – 30:41
11 – Mark Doyle and the Maniacs – Merry Christmas Baby – 34:01

Jazzy Harmonica Arrangements at Christmas

Arrangements of Seasonal Christmas Music featuring harmonica players, Toots Thielemans, Jason Keene, Stevie Wonder, Tommy Morgan, Norton Buffalo, Rob Paparozzi, Tollack Ollestad and Chris Bauer.

Track Listing for Modern Harmonica Arrangements at Christmas

1 – Toots Thielemans – White Christmas – 00:00
2 – Jason Keene – Christmas Time is Here – 03:48
3 – Stevie Wonder – Christmas Song – 07:41
4 – Chris Bauer – Winter Wonderland – 10:48
5 – Tommy Morgan – Angels We Have Heard on High – 15:53
5 – Toots Thielemans, James Taylor – Christmas Song – 19:56
6 – Rob Paparozzi, John Carlini, Bill Robinson – Silent Night – 22:27
7 – Chris Bauer – God Rest Ye Merry Gentlemen – 25:50
8 – Norton Buffalo, Kenny Loggins – Christmas Time is Here – 30:25
9 – Rob Paparozzi – Christmas Song – 32:52
10 – Tollak Ollestad, Cyrus Chestnut Trio – Skating – 38:07
11 – Toots Thielemans – Silent Night – 42:41

National Poetry Day 2015 – Blues Medicine – Hylda Sims

Hylda was one of the Skiffle/Blues pioneers in London in the 1950s. She was part of the City Ramblers and is still playing this style of music in clubs in 2015. This poem or free song, Blues Medicine, is Hylda’s homage to the Blues.

It is about the need for some blues medicine which can come in all sorts of shapes and sizes. Maybe it is the first Skiffle Rap!

Here is the live performance of Blues Medicine from the radio show with Hylda speaking, Doc Stenson on harmonica and Simon Prager on guitar.

It was recorded live on Jonathan Ballie Strong’s Live Lockdown#3 show on London’s K2K radio in November 2013, in a program I did about the life of the UK pioneer harp player, Cyril Davies.

Hylda, Doc and Simon Prager
Hylda, Doc and Simon Prager

New Orleans, London, Memphis, Manchester… British Blues before the 1960s

This was the title of a talk given by Lawrence Davies on Saturday 26 September 2015 at the National Jazz Archive in Loughton, Essex, UK.

Blues researcher Lawrence Davies talked about the story of early British blues as seen through the collections of the National Jazz Archive and his own research. Blues, ‘hot’ jazz and boogie-woogie became a vital part of the 1930s and 40s musical landscape in the UK through the release of US ‘Race Records’ on popular UK and European record labels. After the war, broadcast on the BBC, VOA and AFN, and the emergence of ‘traditional’ jazz and skiffle set the stage for the first visits of African American blues musicians – Leadbelly (Paris), Josh White, Big Bill Broonzy, Sonny Terry and Brownie McGee, James Cotton, Muddy Waters, Sister Rossetta Tharpe and blues piano players like Specked Red and Otis Spann, usually with Chris Barber’s band.

The Cyril Davies website provides a lot of background on what happened.

Lawrence Davies is a research student in jazz and popular music at King’s College, London.

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Fox and Goose, Ealing Jazz Club.

Fox and GooseI visited the Fox and Goose pub on Hanger Lane, Ealing , London, on Wednesday 19 Aug with Colin Kingwell to talk to the current  manager,  Julian Peters. Julian wanted to know more about the pub’s musical history. He was aware that The Who played there when they were known as The Detours.

We talked about about the Ealing Jazz Club, which was held there on Friday nights in the 1950s. Steve Lane, cornet, ran the club with his New Orleans Jazz Band, The Southern Stompers. Colin played trombone  and the banjo player was his friend Cyril Davies. During the evening, Cyril switched to 12 string guitar and played acoustic blues in a small group with  Bob Watson.  This was the start of the British Blues boom 10 years later. You can hear more about this in the broadcast I posted earlier, and read more on the Cyril Davies web site

The pub has changed a lot since the Jazz Club days. It was a skittle alley before it became the club room and now it houses the new kitchen and a conference room. We gave them some photos and newspaper cuttings about the Jazz Club’s acoustic blues sessions, which are now on the pub’s history wall.

Cyril moved on to The Round House pub in Soho in 1955 where he and Alexis Korner absorbed blues and amplification from visiting American artists and recordings. They emerged in 1962 as Blues Incorporated in the Ealing Club and the British Blues Boom was underway!