Category: Interview

Terry Potter is a tremolo player who has been active since the 1960s with the modern traditional musicians like Ashley Hutchings (‘The Compleat Dancing Master‘, ‘Kicking Up The Sawdust‘) as well as playing with the Etchingham Steam Band, Potters Wheel and his family group, Cousins and Sons.

Along with Richard Taylor, I interviewed Terry Potter in his home in Sussex in 2009. I am using this and subsequent written communication to write this blog.

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Terry was born in 1935 and is a traditional folk musician. He first became involved after his extended National Service in Germany, when he attended a local folk club in 1957, in the Free Christian Hall, in Horsham, West Sussex, where he still lives. It was run by his parents and he joined in all the dancing. He wanted to play this sort of music and remembered he had some old mouth organs at home. His father had played mouth organ and Terry had played a few pop songs – but not in public! Both his father, Charlie, and mother, Marjorie sang folk songs and were recorded by local collectors in the 1950s. Their original songbook was presented to the Horsham Museum.

He was allowed to join in at the next dance and soon learned to play a number of tunes, like ”Joe the Carrier Lad‘, from three ladies, The Benacre Band, who came to the club. They invited him to play with their band. He played his first concert that year which lead to to his first band, ‘The Derrydowners Folk Band’ with Geoff Hedger (piano), Derrick Smith (accordion), George Whetton (banjo), Lionel Bounton and Tony Wales (drums). It played for Barn Dances throughout Sussex for over 25 years

Terry formed a folk club in Horsham in 1958 with Tony Wales called called Horsham Songswappers, and the Horsham Folk Club continues to this day. Folk musicians were a close knit group and Terry joined up with Paul Morris (guitar/banjo) and Mike Howley (accordion) and played with them at ‘The Troubadour‘ at the time of the London folk boom, and with ‘Benacre Band‘ at the Albert Hall, in London, in 1958. There was also ‘The ‘Pandemonium String Band‘ with Pete Marsden (fiddle, guitar and vocal) in 1958 and ‘Country Cousins‘ began in 1962. Terry collected folk albums and played in the Ceilidh, jazz and blues clubs in Dublin and made visits to Germany.

In 1970, Terry was in Martyn Wyndham-Read’s band, ‘No Man’s Band‘ and they were heard busking in Leicester Square, London. They were playing Ned Kelly songs outside the premier of the film ‘Ned Kelly‘, staring Mick Jagger, and they ended up playing them on the BBC2 late night TV show.

Here are a couple of tracks from Shirley Collin’s 1974 album, ‘Adieu To Old England‘. First, ‘The Chiners‘ and then ‘Portsmouth‘.

From the 1970s, Terry played mouth organ occasionally with several progressive folk bands such as ‘The Albion Band‘, ‘Kicking up the Sawdust‘, ‘The Etchingham Steam Band‘, ‘Potters Wheel‘, and ‘No Man’s Band‘. These bands included great musicians Ashley Hutchins, Shirley Collins, Dave Mattocks, Simon Nicol, Martyn Wyndham-Read, John Kirkpatrick, Bob Cann, Grahame Taylor, Peter Bullock, Michael Gregory, John Tams, and John Rodd.

You can see glimpses of Terry in the first part of a video documentary about ‘The Albion Band‘.

Here is a link to the 1974 John Peel session with the Etchingham Steam Band.

Here Terry is featured on ‘Speed the Plough‘ on the ‘Kicking up the Sawdust‘ LP.

Some of these bands became very popular and some of the musicians went full time and toured Europe. Terry had a job and could not continue so he stood down and continued to play locally. He had worked with Metal Box but later did a series of local jobs.

Terry had continued to play with his cousin, Ian Holder, and wife, Margaret, since 1963 with various musicians but the band finally settled into, literally, Cousins and Sons‘ when they were joined by their sons, James Potter and Gary Holder. In 1978, John Tyler included their gigs in Harmonica News. They played together for 50 years but no longer play regularly in public. Fortunately, Dave Arthur recorded the group in 1993 in Terry’s sitting room.

Terry does not read music so he has built up his large repertoire of music by learning by ear. He only plays a tremolo but this has all the diatonic notes and it lets him play in many styles of music besides folk, including popular and some jazz tunes for fun. The mouth organ’s musical range is similar to other instruments in the bands but he can play in the higher octaves to have a more distinctive voice. He also uses a small Hohner mic and amplifier when playing in the band. Like Sonny Terry he plays the mouth organ upside down (back to front) with the high notes on the left.

Terry has made lots of recordings but the financial rewards are slim. His checks of the Royalties website suggest he may have to wait a while before they reach the level where they start paying out. He plays music for the heart and still gets nervous when he performs.

Terry has a large collection of mouth organs but his favourite is a Golden Melody which he plays in the keys of C,G,A,D,E and F. Hohner liked to get value from their brand names and this is not the well loved blues harp, but a tremolo harp.

Terry has made a collection of tracks called “Terry’s Collection – 1974 to 2001” which illustrates the range of his musical performances with different groups.

A = ‘Country Cousins‘, B = ‘Potter’s Wheel‘, C = ‘No Man’s Band‘, and D = ‘Etchingham Steam Band‘.

Return to my blog page on British traditional harmonica players.